雙城記讀后感。

作為一名學(xué)生，寫(xiě)好作文是非常必要的，作文可以永久保存，永久保存回憶，優(yōu)秀的作文通常蘊(yùn)含著豐富發(fā)情感，作文不是隨隨便便就就可以寫(xiě)好的！在這里，你不妨讀讀雙城記讀后感熱門(mén)，歡迎大家參考閱讀。

雙城記讀后感【篇1】

《雙城記》被譽(yù)為描寫(xiě)法國(guó)大革命的最杰出的代表作，我想最大的原因可能是因?yàn)樗呐c眾不同。和其他的作品，比如卡萊爾的《法國(guó)大革命》不同，狄更斯更注重的是底層人民的喜怒哀樂(lè).雖然人物和主要情節(jié)都是虛構(gòu)的，但卻深刻地揭露了法國(guó)大革命前深深激化了的社會(huì)矛盾，強(qiáng)烈地抨擊貴族階級(jí)的荒淫殘暴，并深切地同情下層人民的苦難。

讀完后的震撼、憤怒、感動(dòng)、欣慰，一時(shí)間充斥了我的心。我為革命群眾奮起反抗爆發(fā)出的大力量而震撼，也為他們?cè)诟锩M(jìn)一步進(jìn)行時(shí)不分黑白的復(fù)仇行為而憤怒;為卡頓對(duì)露西真摯無(wú)私的愛(ài)而感動(dòng)，也為**尾部卡頓的美麗憧憬，為他生命的延續(xù)而欣慰。

然而，這部電影最感人的部分是卡爾頓對(duì)露西的珍貴愛(ài)。它雖然閃現(xiàn)于一時(shí)，卻持久了一世。愛(ài)情，是什么是包容，是索取是單純的占有，還是博大的寬容這個(gè)話題如此陳舊卻依舊沒(méi)有答案。

在現(xiàn)在這個(gè)物欲橫流的世界中，我們總是在想到底有沒(méi)有長(zhǎng)久，有沒(méi)有無(wú)私"為了你，為了你所親愛(ài)的任何人，我愿意作任何事情。如果我的生命中有值得犧牲的機(jī)會(huì)和可能性，我愿意為你和你愛(ài)的人犧牲。"卡頓在《雙城記》中給了我們答案，給了一個(gè)人應(yīng)該有的對(duì)于愛(ài)情的信念。

太多的分離讓我們這一代人失去了對(duì)真愛(ài)的追求，失去了很多自信，失去了很多理想。然而，卡爾頓的犧牲給我留下了不可磨滅的記憶，也帶來(lái)了很多希望和想象?？栴D對(duì)露西的愛(ài)是具體而堅(jiān)定的。在那個(gè)動(dòng)蕩的年代，他用無(wú)私的愛(ài)和生命給了露西一個(gè)光明的未來(lái)。

作為查爾斯的替身，他平靜地接受了不屬于他的死亡，平靜地走向斷頭臺(tái)，這個(gè)悲劇故事有了一個(gè)充滿希望的結(jié)局。他崇高的愛(ài)，拯救的不只是一個(gè)生命，更點(diǎn)亮了自己碌碌無(wú)為的一生，在人們心中樹(shù)立了他一直渴望擁有的果斷、堅(jiān)定的形象。

露西是幸福的，她不僅擁有了父親的愛(ài)、丈夫的愛(ài)、仆人的愛(ài)，更重要的是她還擁有卡頓那份只屬于她的愛(ài)情。卡頓愛(ài)她，卻并不要回報(bào)。當(dāng)她生活無(wú)憂時(shí)，他只是默默地看著她，祝福她；當(dāng)她的生活陷入困境，她的情人被囚禁時(shí)，他站起來(lái)，走在斷頭臺(tái)上，而不是“情敵”。

只要愛(ài)人幸福的活在這個(gè)世界上，自己就可以了無(wú)牽掛，正是懷著這樣簡(jiǎn)單而滿足的愿望，卡頓可以沒(méi)有難過(guò)和憂傷的觀望露西的幸福，可以離開(kāi)得那么從容。我相信很多女孩和我一樣羨慕露西，很多人用生命來(lái)愛(ài)她。

查爾斯是幸運(yùn)的，從第一次法庭上的轉(zhuǎn)敗為勝到最后的成功逃脫，卡頓--這個(gè)本該同他針?shù)h相對(duì)的情敵，卻一次又一次的幫了他，表面上看是因?yàn)榭D愛(ài)露西，而露西又深刻的愛(ài)著查爾斯，但事實(shí)上查爾斯出色的人品也是卡頓愿意幫他的原因之一。因?yàn)樗缆段髟谒磉呉欢軌虻玫叫腋?，一定能夠在未?lái)的日子里開(kāi)心快樂(lè)，他認(rèn)同露西的選擇，同時(shí)也作出了自己的選擇。也許會(huì)有人覺(jué)得卡頓傻，為卡頓不值，但我想，為所愛(ài)的人奉獻(xiàn)一切應(yīng)該也是世界上最幸福的事吧。

愛(ài)常常比恨更為強(qiáng)有力得多，這話很對(duì)?？赐辍峨p城記》，我突然醒悟，發(fā)現(xiàn)原來(lái)世上本沒(méi)有真正的恨與愛(ài)，所有的一切都是相對(duì)的。所有的事都沒(méi)有固定的性質(zhì)，無(wú)所謂好，也無(wú)所謂壞。

重要的不是事情本身如何，而是一個(gè)人應(yīng)該用什么樣的心態(tài)去對(duì)待身邊的人和事。至于查爾斯，卡爾頓應(yīng)該恨他，因?yàn)樗尶栴D失去了擁有露西的機(jī)會(huì)，他讓露西再也見(jiàn)不到別人。但卡頓選擇用愛(ài)如海來(lái)化解仇恨。

也許在他的眼里，查爾斯不是查爾斯，而是露西的一部分，是他愛(ài)的人的一部分，因此也是他愛(ài)的一部分。從另一個(gè)角度說(shuō)，如果沒(méi)有查爾斯，可能還是會(huì)出現(xiàn)查三斯、查四斯、查五斯的，卡頓如果選擇了恨，豈不是要恨很多人，要恨一生、恨一世、恨在每一天了么卡頓是聰明的，所以他沒(méi)有選擇恨，而是將恨升華成了一種最最偉大的愛(ài)。即使他死了，即使他再也不能用自己的眼睛看到露西的幸福，我相信他也能感受到愛(ài)人在天堂的微笑和幸福。

卡爾頓將活在每個(gè)人的心中，不僅是露西和查爾斯，還有更多的讀者和后代。他的精神會(huì)永存，他會(huì)得到永生!

有人說(shuō)愛(ài)是自私的，愛(ài)別人勝過(guò)愛(ài)自己的人是傻瓜。但在狄更斯的《雙城記》中，我感受到的卻是一種超脫世俗的最純潔、最崇高的愛(ài)。這種愛(ài)像冰一樣純潔，像火一樣熾熱。它是人性中最美、最悲劇性的行為，是一種理想美。

它可以沉默，也可以迸發(fā)出無(wú)限的力量和勇氣。為了愛(ài)人的幸福而犧牲自己的生命，即使是為了拯救對(duì)手。這樣的故事事不可思議的，超出了普通人的能力。

但它傳遞給我們的是作者對(duì)人性和愛(ài)的思考。愛(ài)一個(gè)人，就是給他幸福，即使這份愛(ài)會(huì)傷害自己，即使這份愛(ài)會(huì)讓自己消失

卡頓的犧牲是一種重生。他之所以能平靜地面對(duì)死亡，是因?yàn)樗吹搅讼Ｍ臀磥?lái)。他知道自己的離去可以帶給所愛(ài)的人更多的快樂(lè)，也可以換來(lái)更多人的幸福。他沒(méi)有怨恨革命者，也沒(méi)有埋怨任何人，他所做的只是盡自己最大的能力完成自己愛(ài)露西的心愿，實(shí)現(xiàn)自己的誓言。

常聽(tīng)人說(shuō):"愛(ài)一個(gè)人要愛(ài)他的全部。"愛(ài)她的好，她的壞，甚至是她的愛(ài)。

愛(ài)上情敵，不可思議，但卡頓卻詮釋得很好。對(duì)于普通人來(lái)說(shuō)，恐懼的死亡在愛(ài)情面前是那么微不足道?；钪苍S會(huì)美好，但如果看著所愛(ài)的人每天傷心流淚，相信那便會(huì)變成一種巨大的煎熬，所以卡頓選擇了欣慰的去死，那是一種安詳?shù)臒o(wú)畏，一種沉靜的離開(kāi)。

與卡頓相比，今天的愛(ài)情似乎被強(qiáng)加了更多的東西。金錢(qián)、權(quán)力、地位、利益…這些本不該成為愛(ài)情的影響因素的東西卻占據(jù)了越來(lái)越重的份量。人們不是為了愛(ài)而愛(ài)，而是為了生存而愛(ài)。

在許多情況下，虛偽代替了真誠(chéng)，物質(zhì)高于精神。也許我們是一群理性的動(dòng)物，也許我們所做的是最好的選擇。但我們是否應(yīng)該感到慚愧，是否應(yīng)該正視自己的每一段感情呢難道人活著只是為了吃好喝好睡好么**上報(bào)道出的一個(gè)個(gè)為情仇殺的事件，應(yīng)該為當(dāng)今的人們敲響警鐘了，大家應(yīng)該仔細(xì)想想，他們，究竟是為愛(ài)而殺還是為恨而殺呢如果我們不能博大的活著，世界就會(huì)了無(wú)生趣，失去色彩。

轉(zhuǎn)而回到《雙城記》，卡頓的偉大賦予了他太多的光芒，但就這個(gè)人物本身來(lái)講，他還是有悲劇的性格。他太小看自己，可以說(shuō)是有些自卑，因此放任了自己，又因?yàn)榉湃味械浇^望。最終他沒(méi)能盡力的追求露西，而只是把對(duì)她的愛(ài)隱藏在內(nèi)心，默默地承受著煎熬，無(wú)私地付出，卻不求一丁點(diǎn)兒回報(bào)。

這種愛(ài)凄美而崇高，但卻過(guò)于低調(diào)。如果卡頓能夠努力，如果卡頓愿意爭(zhēng)取，露西未必不會(huì)選擇他，而他同樣能給予露西很好的幸福。

總之，《雙城記》帶給了我們太多的思考和感悟。關(guān)于愛(ài)，關(guān)于恨，關(guān)于復(fù)仇，也關(guān)于重生。當(dāng)**尾部卡頓看到希望的時(shí)候，我仿佛也從整部書(shū)有些陰郁的情緒中看到了點(diǎn)點(diǎn)星光。

所以，卡頓的存在不僅僅是作者對(duì)愛(ài)的渲染，更寄予了狄更斯對(duì)未來(lái)的信心。不錯(cuò)，當(dāng)人與人之間沒(méi)有了恨，當(dāng)所有的恨都升華為愛(ài)的時(shí)候，沒(méi)有復(fù)仇，沒(méi)有血腥，有的只會(huì)是幸福的歡笑，燦爛的陽(yáng)光。

再次感動(dòng)于狄老的良苦用心，感動(dòng)于卡頓至死方休的夢(mèng)、沁人肺腑的情，更感動(dòng)于這份人世間最崇高、最永恒、永不退色的愛(ài)，那么難得，那么美好，也必將永存!

讀后感讀后感

讀后感xx

雙城記讀后感【篇2】

《雙城記》是英國(guó)作家查爾斯·狄更斯所著的一部以法國(guó)大革命為背景所寫(xiě)成的長(zhǎng)篇?dú)v史**，情節(jié)感人肺腑，是世界文學(xué)經(jīng)典名著之一，故事中將巴黎、倫敦兩個(gè)大城市連結(jié)起來(lái)，圍繞著曼馬內(nèi)特醫(yī)生一家和以德法日夫婦為首的圣安東尼區(qū)展開(kāi)故事。**它描述了貴族如何腐敗和傷害平民。人民心中對(duì)貴族的仇恨導(dǎo)致了法國(guó)大革命的不可避免。這本書(shū)的主要思想是為愛(ài)而自我犧牲。書(shū)名中的“雙城”指的是巴黎與倫敦。

the tale of two cities is a historical story, one of dickens’ long　background to the novel is the revolution of france .it portrayed a brutal and bloody story , but it also contained love and friendship.

in the novel, dickens sarcastically described a typical cruel nobleman—marquis of evermonde . when he was young he and his brother stole a countrywoman by force and killed her family .what’s worse , he used his power to imprison dr ma***te , a kind and honest man who knew all the things they had done and wanted to disclose their crimes .

in order to hide their crimes. marquis of evermonde and his brother threw doctor ma***te into prison for 18 years . during these 18 years,doctor ma***te lost his freedom and suffer a great in spirit .

i felt unthinkable that marquis of evermonde and his brother killed people just as easily as they killed chickens. they deprived other people’s freedom as they liked and they thought it was normal and unremarkable. they had never realized that they had done something wrong or something improper.

because their nature was cruel and evil, like demons. there is an old saying which means: people who ***mit too many crimes will kill themselves.

after all, there is justice in the world. the demons can’t be rampant forever. because the world will not f***ive them.

they will pay their lives for their crimes. let’s see the consequence of the marquis,’’he lay there like a stone with a knife pushed into his heart.” i think it was just what he ought to gain and it is a real exciting scene.

the marquis’ death was just the beginning of people’s resistance to the nobleman. gradually more and more people joined in the revolution. one after another nobleman were sentenced to death and their heads were cut down .

however, some innocent people were implicated in the revolution. charles darney was one of them he was the nephew of marquis of evermonde. to the opposite of his uncle, darney was a kind and independent young man.

dickens spoke highly of kindness mercy and love in the novel too. this is the other thone of the novel when doctor ma***te was released from prison. it was his daughter lucie who took care of him and helped him return to normal.

during this time, dr ma***te and lucie knew charles darney and sydeny carton, the two young man fell in love with lucie at the same time . at last, lucie married chares darney .dr ma***te accepted darney as his son-in-law although he knew that darney was the nephew of the man who threw him into prison for18 years.

this is the love between father and daughter. and sydeny carton , the very great man ,loved lucie deeply. he promised lucie that he would do everything for her happiness.

he did it truely ,he sacrificed himself instead of darney who looked the same as him. this is love for lovers . this is the most wonderful thing in the world.

it also reminds us that no matter how no matter when there is true love existing. at the end , lucie, dr ma***te and darney arrived in england safely.

the tale of two cities is different from other historical fictions. its characters and main plots are fictional under the real background of the revolution of france. the author made the experience of the fictional charactor dr ma***te as the main　plots are ***plicated, and they are flexuous and dramatic.

the structure is ***plete and rigorous.

dickens had dear love and hate. he praised those who ought to be praised and attacked those who ought to be attacked. the motivation of the novel maybe just warn the english dominators.

but i think we can learn something meaningful from the tale of two cities.

as we all know, charles dickens' novel a tale of two cities is a novel based on the french revolution in the late 1800s. in that terrible time, every moment was full of great fear. before that great revolution, the ***mon people, especially the peasants, were poor, hungry and unhappy.

the king and the noble men maltreated the poor in many ways but they had never felt a little ashamed, on the contrary they thought they could do bad things in the nature of things.

as an outstanding writer, in dickens's work, the language skill is essential. each kind of rhetoric technique, like the analogy, the exaggeration, the contrast, the humorous, and the taunt are handled skillfully and the artistry of the work is also delivered the peak. a tale of two cities has its difference with the general historical novel, its character and the main plot are all fictionalizes.

with the broad real background of the french revolution, the author take the fictional character doctor na***te’s experience as the main clue, interweaves the unjust charge, love and revenge three independences but also incident cross-correlation stories together, and the clue is ***plex. the author use narrates, foreshadowing, upholstery and so many techniques, causes the structure integrity and strictness, the plot winding anxious and rich of theatrical nature, it displayed the remarkable artistic skill. the style a tale of two cities is solemnity and melancholy, fills indignation, but lacks the humor of the early works.

besides, this novel criticizes the violence and oppression in the society. in this novel, the author not only expresses his humanitariani** on the love between human beings, but also expresses his view according to his critics to the violence and oppression in that society. the author expresses his opinion on two parts.

first, he criticizes the aristocrats, esp. the representative marquis of evremonde. second, he also criticizes the revolutionaries in the french revolution.

however, when we see from the description of the couple, the author does not think high of the revolution. when the revolutionaries begin their revenge, the author describes that everyone is terrible, the man is terrible, the woman crazy, and there is not a human creature at that time. we can see although the author does not show his agreement to the aristocrats’ cruelty, he does not like the bloody revolution, either.

what is more, this novel advocates the christian love and self-sacrifice. charles dickens' novel a tale of two cities is essentially a tale of love, sacrifice, and, most importantly, resurrection. dr.

ma***te, charles darnay, and sydney carton, all desperate men leading catastrophic lives, make great sacrifices in order to attain true physical, spiritual, and societal resurrection for themselves and the ones they love. in this novel, the author portrays some typical characters that embody the author’s view. first, he portrays some kind, upright and humane persons, such as dr.

ma***te, lucie ma***te, mr. lorry, etc. but at the same time, he also portrays some cruel and ferocious persons, such as the marquis of evremonde brothers, mr.

and mrs. defarge. he uses these characters to make a contrast, which clearly expresses his view.

in short, what he was trying to express is that everyone can love each other and sacrifice for others. so sydney carton is the supreme embodiment of charles dickens’ humanitariani**.

ultimately, a tale of two cities is essentially a tale of love, sacrifice, and most importantly, resurrection. through personal sacrifices or sacrifices for those who they loved, it shows the human’s virtue and integrity. by struggling for, hunting for, and sacrificing for a better life, all of the main characters are forever resurrected in the hearts of those they love forever.

overall, charles dickens is a humanitarian. and according to the analysis of the characters in a tales of two cities, we can see that the author advocates the universal love and equality between human beings. and this is the basic element in a peaceful and harmonious society.

everyone should love people and only the humanitariani** can improve this situation. and a tale of two cities is the best work, which embodies his humanitariani**. so that we can see that charles dickens is an outstanding humanitarian of the capitalistic reformi** in the 19th century.

"a tale of two cities" is one of dickens's most important representative　novel profoundly exposed the society contradiction before the french revolution,intensely attacks the aristocratic social class is dissolute and cruel,and sincerely sympathizes with the depressed　novel also described many magnificent scenes like the revolt people attacked bastille and so on,which displayed people's great strength. the novel has portrayed many different people. doctor ma***te is honest and kind but suffers the persecution actually ， lucie is beautiful and gentle ，charles is graceful and noble，lorry is upright and honest ，sydney is semblance of indifferent, innermost feelings of warm,unconventional but also selfless and lofty，miss pross is straightforward and loyal，evremonde brothers are cruel and sinister……the ***plex hatred is hard to solve, the cruel revenge has made more hatreds, loves rebirth in the hell edge,but take the life as the price.

as an outstanding writer,in dickens's work,the language skill is　kind of rhetoric technique,like the analogy,the exaggeration,the contrast,the humorous,and the taunt are handled skillfully,and the artistry of the work is also delivered the peak."a tale of two cities" has its difference with the general historical novel, its character and the main plot are all　the broad real background of the french revolution,the author take the fictional character doctor ma***te's experience as the main clue,interweaves the unjust charge, love and revenge three independences but also incident cross-correlation stories together,the plot is criss-crossed,and the clue is　author use narrates,foreshadowing,upholstery and so many techniques,causes the structure integrity and strictness,the plot winding anxious and rich of theatrical nature,it displayed the remarkable artistic　style "a tale of two cities" is solemnity and melancholy,fills indignantion,but lacks the humor of the early works.

雙城記讀后感【篇3】

前些日子借了一本超厚的世界名著《雙城記》，看了幾章后，我決定還了它，實(shí)在沒(méi)意思，而且又看不懂，今天我借了它的**版，總算看完它了。其實(shí)書(shū)中有很多人物，但人物之間的關(guān)系卻讓我始料未及。主人公是一個(gè)在巴士底獄呆了18年的囚犯，馬內(nèi)特醫(yī)生，她的女兒露西和她的女婿查爾斯

英國(guó)和法國(guó)是所謂的兩個(gè)城市。**的背景是法國(guó)大革命。我學(xué)習(xí)歷史。我對(duì)法國(guó)大革命很清楚。當(dāng)我聯(lián)系**時(shí)，我真的想問(wèn)，這是真的嗎？**嗯，大部分是虛構(gòu)的。讀過(guò)之后，我的印象是：**的得法日夫人，無(wú)辜的查爾斯，和藹可親的西得尼·卡爾頓先生，忠誠(chéng)的女仆普**，熱情的賈維斯·勞里先生

我對(duì)好人總有一種好感，對(duì)壞人總有一種厭惡感，不奇怪啊，每個(gè)人都這樣，除非他是超級(jí)好人，對(duì)壞人存有仁慈的心，或者他是超級(jí)大壞蛋，對(duì)好人總有一種感覺(jué)，“他們好虛偽??！”其實(shí)這也不奇怪的，事實(shí)就是如此嘛！一群虛偽的家伙。

得法熱夫婦去找露茜，原以為要幫她的丈夫查爾斯，其實(shí)是害了她的丈夫再次入獄，并且最終導(dǎo)致卡登先生的死.我本人覺(jué)得卡登先生很講義氣，重感情，他第一次見(jiàn)露茜就愛(ài)上她，雖然表白遭到拒絕，但對(duì)她的愛(ài)仍不改變，最后為了露茜能和她丈夫團(tuán)聚，為了露茜不再傷心流淚，他去監(jiān)獄和查爾斯調(diào)包了，用自己的命換了露茜的幸福，不能不說(shuō)他是令我最受感動(dòng)的一個(gè)人物。

雙城記讀后感【篇4】

你們是不是在找關(guān)于《雙城記》 讀后感范文呢?那么下面小編整理了《雙城記》讀后感，供大家參考，希望對(duì)你們有幫助。

生命中有兩座城市，一座是為了死亡，另一座是為了永生

“這是最好的時(shí)代，也是最壞的時(shí)代?！薄峨p城記》開(kāi)篇第一句話被無(wú)數(shù)次引用。但我猜知道這句話的人并不一定知道《雙城記》講述了一個(gè)怎么樣的故事 ，也不知道這句話為何而說(shuō)。

如果想理解這句話的原意，以及為何說(shuō)寫(xiě)出這句經(jīng)典名句，那自然是要讀讀原著的。

“——簡(jiǎn)而言之，那個(gè)時(shí)代和當(dāng)今這個(gè)時(shí)代是如此相似。”這句話其實(shí)解釋了上述經(jīng)典句子的兩個(gè)問(wèn)題：為何這么說(shuō)，對(duì)誰(shuí)而說(shuō)。

這也就是**出世的原因之一，狄更斯希望通過(guò)這樣一本**，通過(guò)描述法國(guó)大革命給人民大眾帶來(lái)災(zāi)難來(lái)表示自己的擔(dān)心，同時(shí)警示英國(guó)的危險(xiǎn)處境。一段革命史，兩座分別代表兩個(gè)國(guó)家的城市，幾個(gè)風(fēng)雨飄搖中的人，構(gòu)成了**的主要素。

雖然《雙城記》是一本經(jīng)典的**，但因?yàn)槠涿鞔_提出這段革命背景是法國(guó)大革命，于是書(shū)中對(duì)革命的展現(xiàn)就被認(rèn)為是作者的歷史觀。而這正是有關(guān)**的無(wú)數(shù)爭(zhēng)議的焦點(diǎn)。狄更斯在**中除了以細(xì)膩的筆墨展示了貴族的殘忍，同樣也展示了革命群眾非理性的破壞。

在他看來(lái)，革命是一種壓迫取代了另一種壓迫，另一種血腥暴動(dòng)也被另一種壓迫所取代。對(duì)巴士底獄的襲擊以及對(duì)**者的一系列描述——血腥、殘忍、狡猾和**——是**最引人注目的方面。

狄更斯把在描寫(xiě)暴民**之處傾心了大量的筆墨，展示了他對(duì)暴民的痛恨，從某種程度上可以說(shuō)是對(duì)革命的痛恨。當(dāng)然，作為人文主義者，狄更斯也指出了拯救世界最好的良藥：愛(ài)。

這種愛(ài)，體現(xiàn)在**中的包括親情、愛(ài)情、友情這種私人間的感情，也包括拋棄貴族、拯救蒼生的那種博愛(ài)。其中，最精彩的是對(duì)卡爾頓愛(ài)情的描寫(xiě)。

我非常喜歡卡頓。事實(shí)上，卡爾頓是狄更斯的化身。狄更斯首先想到了卡爾頓和他的一些精神，然后構(gòu)思了這本書(shū)。那么，卡頓是怎么樣一個(gè)人呢?

**中描述：“太陽(yáng)悲悲切切，切切悲悲的冉冉升起，它所照見(jiàn)的景物，沒(méi)有比這個(gè)人更慘的了。他富有才華，情感高尚，卻沒(méi)有施展才華流露情感的機(jī)會(huì)，不能有所作為，也無(wú)力謀取自己的幸福。

他知道自己的癥結(jié)所在，卻聽(tīng)天由命，任由自己年復(fù)一年地浪費(fèi)時(shí)間，精疲力盡?！?/p>

這是一個(gè)甘愿墮落、失去才華和青春的年輕人。為何自甘墮落?**中似乎并沒(méi)有交代，自從他一出場(chǎng)就是如此，并且對(duì)他的家事背景描寫(xiě)也并不多。

在我看來(lái)，這個(gè)人代表了狄更斯本人，所以他不需要過(guò)多描述-卡頓的墮落源于他對(duì)衰落的社會(huì)感到失望。他走上斷頭臺(tái)前曾說(shuō)過(guò)，“我看到這個(gè)時(shí)代的**，和造成這一惡果的前一時(shí)代的**，逐漸為自己贖了罪而消亡?！?/p>

被自己遺棄的悲觀者——卡頓，在朋友遇到困難，在所鐘愛(ài)的女子的丈夫即將被送上斷頭臺(tái)時(shí)，他突然出現(xiàn)，被救人還不知所以的情況下，以自己的生命做代價(jià)，在緊要關(guān)頭使了個(gè)掉包計(jì)救出了自己的所愛(ài)女子的丈夫。

這不正是**之愛(ài)么?為自己贖了罪而消亡。事實(shí)上，**中的卡頓也確實(shí)以上帝的口吻在臨死前說(shuō)，“復(fù)活在我，生命在我，信我的人，雖然死了，也必復(fù)活;凡活著信我的人，必永遠(yuǎn)不死。

”這就是狄更斯為“最壞的時(shí)代”開(kāi)出的良藥，然而這畢竟是一種理想。有人說(shuō)，《雙城記》作為一部不朽的著作，如果沒(méi)有西德尼·卡頓的存在和所作所為，這部**就失去了它的價(jià)值和光輝。我完全贊同。

也許，每個(gè)人的一生都有兩座城市，一座在死亡中，另一座在永生中。

**是以標(biāo)題的這句話作為開(kāi)頭的，接著還對(duì)這個(gè)時(shí)代進(jìn)行了描述，同樣是以標(biāo)題所示的結(jié)構(gòu)，幾對(duì)反義詞：智慧與愚蠢、信仰與懷疑、光明與黑暗、希望與絕望，便構(gòu)成了整本書(shū)的開(kāi)端。

開(kāi)端對(duì)這個(gè)時(shí)代的描述正如整部作品的靈魂，滲透在每個(gè)情節(jié)之中，看似對(duì)立的兩方卻同時(shí)的存在于矛盾之中，而且相互影響相互作用。我們可能一開(kāi)始的時(shí)候無(wú)法理解這句富含著深意的話，但是隨著對(duì)故事情節(jié)的逐漸掌握，我們似乎可以琢磨出那么一些大概。

雙城記讀后感【篇5】

愛(ài)—幸福的基本元素

雙城記觀后感

it was the best of times, it was the worst of times. it was the season of light, it was the season of darkness. it was the spring of hope, it was the winter of sadness.

it was the year one thousand seven hundred and seventy-five. 不得不承認(rèn)這本書(shū)的開(kāi)頭就深深地吸引了無(wú)數(shù)人。書(shū)的開(kāi)頭就如那個(gè)錯(cuò)綜復(fù)雜，矛盾。

“復(fù)活在我，生命在我，信我的人，雖然死了，也必復(fù)活;凡活著信我的人，必永遠(yuǎn)不死?！边@就是狄更斯為“最壞的時(shí)代”開(kāi)出的良藥，然而這畢竟是一種理想。有人說(shuō)，血不能洗去仇恨，更不能代替愛(ài)——貴族對(duì)平民的**所造成的痛苦，不會(huì)因?yàn)檠?，平民?duì)貴族的仇恨，不能代替對(duì)死去親人的愛(ài)。

這本**懸念很多，鋪墊很充實(shí)，是那種越看越明白的，就像一條條小溪逐一地匯聚，最后成了奔騰的大江，使人越看越激動(dòng)，越看越想看。 這部作品終究還是善與惡的對(duì)抗，善的勝利，令人激動(dòng)地收?qǐng)隽?。同時(shí)，讓我們思考復(fù)仇是否值得。

人們常常歌頌愛(ài)情的偉大，也許是因?yàn)閻?ài)情的力量可以讓受苦的人再次看到幸福的光芒。

a tale of two cities is one of dickens's most important representative works.the novel profoundly exposed the society contradiction before the french revolution,intensely attacks the aristocratic social class is dissolute and cruel,and sincerely sympathizes with the depressed classes.the novel also described many magnificent scenes like the revolt people attacked bastille and so on,which displayed people's great strength.

1 full of romantic elements in the suspense novel ---a tale of two cities

2 the benevolence spirit and in the novel.

conclusion

as an outstanding writer, in dickens's work, the language skill is essential. each kind of rhetoric technique, like the analogy, the exaggeration, the contrast, the humorous, and the taunt are handled skillfully and the artistry of the work is also delivered the peak. the author use insert narrates, foreshadowing, upholstery and so many techniques, causes the structure integrity and strictness, the plot winding anxious and rich of theatrical nature, it displayed the remarkable artistic skill.

the style a tale of two cities is solemnity and melancholy, fills indignation, but lacks the humor of the early works.

besides, this novel criticizes the violence and oppression in the society. in this novel, the author not only expresses his humanitariani** on the love between human beings, but also expresses his view according to his critics to the violence and oppression in that society. the author

expresses his opinion on two parts. first, he criticizes the aristocrats, esp. the representative marquis of evremonde.

second, he also criticizes the revolutionaries in the french revolution. however, when we see from the description of the couple, the author does not think high of the revolution.

ultimately, a tale of two cities is essentially a tale of love, sacrifice, and most importantly, resurrection. through personal sacrifices or sacrifices for those who they loved, it shows the human’s virtue and integrity. by struggling for, hunting for, and sacrificing for a better life, all of the main characters are forever resurrected in the hearts of those they love forever.

the report of the a tale of two cities

recently, i read a tale of two cities.i think that it’s a good novel.

after read this novel, let me know about the french revolution. i think the people who lived in that period were not lucky. the poor were very sad.

they were too blindness. and i was moved the carton, he died for his love, and i like him very much.

姓名:張喜華

雙城記讀后感【篇6】

這是英國(guó)作家查爾斯·狄更斯的作品。顧名思義，他記敘了兩個(gè)城市間的故事。整個(gè)故事以法國(guó)大革命為背景，記敘了露茜以及她所愛(ài)的人們的悲慘命運(yùn)。

這部小說(shuō)的主人公是露茜。但我認(rèn)為露茜的作用不大。她出現(xiàn)的次數(shù)不很多，也只說(shuō)過(guò)幾句話。主要人物是她所愛(ài)的人們。他的父親馬內(nèi)特醫(yī)生是法國(guó)沙皇統(tǒng)治時(shí)期苦難人民的代表;她的丈夫埃弗蒙原來(lái)是個(gè)貴族，而他從小受母親的教育，愛(ài)護(hù)窮人，幫助窮人。從小寄居英國(guó)，用自己的努力干下一番事業(yè)。他代表了善良的貴族，他的朋友律師卡登為了拯救朋友付出生命的代價(jià)，被暴怒的人民送上斷頭臺(tái)。他和埃弗蒙都是無(wú)辜的，是長(zhǎng)期被壓迫的巴黎人民害死了他，準(zhǔn)確的說(shuō)是壓迫人民的兇惡殘暴的貴族們害死了他，他只是個(gè)替代品。他正代表了法國(guó)黑暗統(tǒng)治下正義無(wú)畏的人民。

這部小說(shuō)用露茜和她所愛(ài)的人們揭露了法國(guó)的黑暗統(tǒng)治。而作者所在的英國(guó)何嘗不是這樣的呢?在小說(shuō)結(jié)尾，卡登希望法國(guó)明天會(huì)變得美好。作者只不過(guò)是借卡登之口說(shuō)了自己的心里話。英國(guó)的美好明天正是他的希冀!

雙城記讀后感【篇7】

“我做過(guò)一件比過(guò)去做得更好、更好的大事；我要去比我所知道的更好、更好的安息之地。

——卡頓死前的沒(méi)有來(lái)得及說(shuō)出的心里話

《雙城記》是英國(guó)作家狄更斯的一部以法國(guó)大革命為背景的歷史**。其中“雙城”分別是指英國(guó)倫敦和法國(guó)巴黎，以梅尼特一家充滿愛(ài)與冒險(xiǎn)的故事為主要情節(jié)，這其中有貴族的殘暴、人民的憤怒，當(dāng)然還有更多。

梅尼特在揭露貴族惡行的信件被發(fā)現(xiàn)后，被囚禁在巴士底獄18年。幸運(yùn)的是，梅尼特被他的女兒露西和羅利救了出來(lái)，去了英國(guó)。

在倫敦，他們遇到了殺害醫(yī)生的爵士樂(lè)侄子代爾內(nèi)，但代爾內(nèi)和他的叔叔不一樣。他是一個(gè)正直善良的人。露西和達(dá)爾內(nèi)墜入愛(ài)河。

梅尼特醫(yī)生為了女兒的幸福，犧牲自己，舍棄宿仇舊恨，成全他們。

與此同時(shí)，法國(guó)大革命發(fā)生了。

法國(guó)人民勇敢地站起來(lái)，老貴族投票，革命者為革命而戰(zhàn)。但出乎意料的是，這場(chǎng)革命越來(lái)越失控。革命者的非理性似乎把這場(chǎng)革命變成了另一場(chǎng)災(zāi)難。他們傷害一切貴族，不關(guān)心為人民服務(wù)的好人，不合理地進(jìn)行**式的革命。

正直善良的達(dá)爾內(nèi)也可憐無(wú)辜地卷入這場(chǎng)混亂的“**”中……

當(dāng)然《雙城記》中除了暴動(dòng)者外，還是有不少以博愛(ài)戰(zhàn)勝仇恨的理想型人物，比如梅尼特父女、達(dá)爾內(nèi)、羅利等等。最讓我印象深刻的是英國(guó)青年，他們長(zhǎng)得像達(dá)爾內(nèi)的卡爾頓。最后，為了了解如何拯救達(dá)爾內(nèi)，卡頓設(shè)計(jì)了將達(dá)爾內(nèi)從監(jiān)獄中解救出來(lái)，并混入監(jiān)獄，最終死于斷頭臺(tái)而不是達(dá)爾內(nèi)。

我覺(jué)得這部電影借助宏大的敘事背景，講述了整個(gè)法國(guó)大革命和最美的人性之愛(ài)。

**開(kāi)頭的卡頓是一個(gè)不學(xué)無(wú)術(shù)、不修邊幅的人，但他在遇到露西后內(nèi)心一點(diǎn)點(diǎn)在改變。他知道露西和代爾內(nèi)是很有才華的人，所以他對(duì)露西的一點(diǎn)愛(ài)深深地埋藏在他的心里。他本是一個(gè)不上進(jìn)的人，毫不在意他人，但因?yàn)槁段鬟@個(gè)善良的女孩的出現(xiàn)，像一束光一般照亮卡頓原本暗沉沉的內(nèi)心，他開(kāi)始改變了。

卡頓是一個(gè)因?yàn)閻?ài)而改變的人，他最后甚至為了讓露西一家團(tuán)圓不惜放棄自己生命，他原本對(duì)他人的死活壓根不在乎，但因?yàn)槁段鞯牡絹?lái)，他變得熱愛(ài)生活、熱愛(ài)這個(gè)世界，又為了這個(gè)女孩救下她所愛(ài)的人。這不是一個(gè)虛假和令人窒息的愛(ài)情故事。它講的是真正的人性，它因他人而回歸到最基本的真善美人性。他的死并不驚天動(dòng)地。就像在革命中死去的其他無(wú)辜的人一樣，李雷因?yàn)楦锩灰话汛蟮犊愁^，為露西。

沒(méi)有危急時(shí)刻的驚喜，他就那樣去了。但他仍住在他所認(rèn)識(shí)的好人心中，成為他們心中的圣所。

卡頓幼年時(shí)的隕落，青年時(shí)的醒悟，無(wú)疑他的一生還留有幸運(yùn)；但那“復(fù)仇女神”童年的陰影，因?yàn)闆](méi)有能被救贖，所以她沒(méi)有醒過(guò)來(lái)。她墮落成仇恨，成為一個(gè)心理畸形的人。

所以可見(jiàn)，愛(ài)能徹底改變一個(gè)人。

《雙城記》講述的不只是革命，還有人，人性。